The video traces the history of the Factory, describes the activities that took place in it, and the historical context. Actual locations are shown and discussed

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

Four one-act plays by Viktor Rozov in two parts.

Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.

Four-part video made in 2003 and 2004. The first two parts were presented at the Venice Biennale of 2003 as part of the Utopia Station project. An open-ended video -- more parts may be added to it in the future -- my thoughts on the idea of utopia. My thoughts on it change as time goes, as I am trying to figure it out for myself, the meaning of it, the practice of it, the possibility of it, in the past, today and in the future.

A Study of Light over Water. The film is an abstract representation of the naturalistic reflection of light on Lake Tune and Canal Saint-Martin.

A TV Show where Andy, with a studio audience full of loud screaming kids, would show movies. At the opening of the show he had a puppet friend called “Froggy“. To get the frog to appear Andy and the audience would have to scream “Plunk your Magic Twanger, Froggy“. There would then be a big puff of smoke and the frog would appear.

This special was taped in 1977 but did not air until August 1979, on ABC. It featured most of Andy's famous gags, including Foreign Man/Latka and his Elvis Presley impersonation, as well as a host of unique segments (including a special appearance by children's television character Howdy Doody and the "Has-been Corner"). There also is a segment that included fake television screen static as part of the gag, which ABC executives were not comfortable with, fearing that viewers would mistake the static for broadcast problems and would change the channel—which was the comic element Kaufman wanted to present. Andy's Funhouse was written by Kaufman, Zmuda, and Mel Sherer, with music by Kaufman.

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